The popularity of this Norwegian mystery writer has been growing, and I was curious to learn what it was all about. I can now understand that popularity, although this early 2002 work did not impress me that much with its story—a prime reason being that the complicated events were difficult to follow. Why was this? One reason is that the characters were not clearly delineated, neither the policemen nor the suspects, villains, and victims. Nor did their interactions help distinguish themselves from one other. But what did impress me was the texture of the writing, the setting of the scenes, and the constant action moving ahead.
The novel begins as a story of two crimes, that of a bank robbery and a murder and that of a death that suggests suicide but may be murder. The bank robbery that opens the book results in the death of a woman teller, and the suspicion that the killer and the victim knew each other. Meanwhile, a young woman is found shot to death, with a gun in the wrong hand. She is a former girlfriend of Nesbo’s series detective, Harry Hole. He had spent the previous night with her but cannot remember what happened.
The result is a series of complicated developments that are difficult to follow, not least because the author keeps shifting his focus: from one crime to the other and from one suspicious activity to another. But also, as I said, because the characters serve more the functions of the plot than come alive on the page. And their shifting motivations are complicated as well. They involve love affairs, jealousy, rage, revenge, the rivalry of brothers, and gypsy culture.
We follow the story mainly through Harry Hole’s efforts to clear himself from suspicion of murder. He duels with a fellow cop who wants to pin the murder on him, negotiates with a gypsy prisoner to find the girl’s actual killer, and receives teasing emails from the girl’s presumed murderer, who intensifies his own sense of guilt. The result is a complexity that keeps the reader off-balance, which promotes the book’s intrigue but can be confusing, as Harry shifts from one concern to another, and from one crime to another.
For a long while, it is not clear which crime is intended to be dominant. The bank robbery and murder that begins the tale, or the girl’s murder that implicates Harry. More time is spent with the latter, which hits closer to Harry’s home, but the former has international implications that prompt a visit to Brazil. While the solutions never come together, their themes, their motivations, do in many ways. There is brotherly conflict, there is betrayal in love, and there is authorial misdirection. Indeed, the solution to the girl’s death, while intended as a big surprise, is for me too much of a twist that betrays the author’s hand. I was unprepared, and therefore somewhat reluctant to accept it.
As Marilyn Stasio writes in the Times: “Nesbo falls back on coincidence and some other questionable devices. The problem isn’t that he fails to tie up all his story lines, it’s that he does it so carefully and neatly that the plot machinery is revealed for what it is— machinery.” Perhaps the novel’s length of around 500 pages has also been necessary to develop this complicated machinery. And so winding it down somewhat succinctly at the end lends a sense of arbitrariness.
Nemesis is the Greek god of justice and revenge. Thus, the title, for each major death is motivated by revenge. But one senses the author has backed into this theme, or at least the title. As if to make the execution fit the crime. But while these solutions reflect a psychological depth, they do not rise out of character depth. They seem to have been pasted in by the author to fit the facts.
And yet, there is enough depth here, enough intriguing plotting, enough Norwegian atmosphere, enough interesting series characters to prompt interest in more of Nesbo. As a series hero, Harry Hole offers distinct, if familiar, possibilities. He is moody, rebellious and hot-headed, tends to drink heavily, and likes to act alone; but he is also one whom other policemen respect, and whose superiors also accept, because of his incisive detective skills.
Among the interesting police characters are Beate Lonn, a new female recruit who seems innocent in the ways of the world, but who can remember faces and whose interaction with Harry offers possibilities; and Inspector Waaler, who dislikes Harry, and is out to pin a murder on him. The other police officials, however, such as Halvorson, Moller, Ivarsson, and Weber are mainly supernumeries who serve a purpose rather than exist as real characters. As is psychologist Stale Aune, whose discussions with Harry serve primarily to give psychological depth and psychological possibilities to the actions of the more suspicious characters.
Yes, I will read more of Nesbo. But I would hope he explores more deeply Harry’s relationships with his fellow policemen. That he avoids fictional complexity in favor of psychological or political complexity. And that he sharpens his focus by digging into the heart of a single criminal activity. Whereupon, the Oslo setting and/or the darker Norwegian atmosphere and culture will also become a plus. (November, 2016)